[phlipcam video] Ariel Pink's Haunted Graffiti + Os Mutantes @ Royale
    
    It
 didn't take too long into Sunday's show at Royale for me to realize that 
all of the features/reviews/profiles pinning Ariel Pink as an eccentric 
weren't just construed in the name of dramatic licence. I mean, I'm no 
doctor, but even before his Haunted Graffiti ensemble began playing, it 
wasn't too difficult to deduce that Pink is likely suffering some degree
 of chemical imbalance.
Let's rundown the pre-show order of events: The band sound 
checked their own instruments, as any self-respecting band of meager 
means would. Pink, being the only member who doesn't play an instrument,
 hovered over his keyboardist, micromanaging as he tuned. Then he paced,
 back and forth across the stage, sipping his beer and never looking 
anything but uncomfortable. He'd stop to pay a visit to his keyboardist 
on the other side of the stage and plead with the sound technician to 
place more reverb in the mics or crank the Casio way the fuck up. And 
then he'd pace. This went on for about 20 minutes. Pacing and pleading. 
Without leaving the stage, they launched into "Beverly Kills," and it 
became clear why the sounds emanating from the keyboards 
were of the utmost importance in helping him deliver on a set of music 
that could've conceivable been used to soundtrack a haunted carnival 
episode of "Scooby Doo, Where Are You!" Then he paced right on into the 
audience.
The
 Haunted Graffiti outfit is truly the perfect backing band for Pink, 
both style wise and in their desire to kick the retrograde jams. And 
while the songs from Before Today
 were the standouts on the night ("Menopause Man" and "Fright Night" in 
particular), it was refreshing to hear him reach into his back catalog, 
unsurprisingly unfazed by the whirlwind of publicity their recent album 
has garnered them (with the above show-closing footage being the best 
indicator of that). Also worth noting is despite the fact that I've 
listened to "Round and Round" approximately 5,000 times since its 
release, it still sounds so god-damn delectable. I just about melted 
right into the dance floor when they hit the chorus.
I
 heard more than a couple people mention last night that it was Pink who
 reached out to Os Mutantes to co-headline this current tour taking them
 across the US. Coincidentally, Os Mutantes are the type of band that I 
see Haunted Graffiti evolving into: a fuller sound, greater stage 
presence, same degree of headfuck psychedelia, and just more of a well 
versed, profound live show, because I can only assume that it was 
Mutantes that are toting around that sorta-elaborate light setup. The 
only real issue I had with Os Mutantes set was the venue. Whereas Pink 
is sadistically suited for the club, Mutantes probably would've been 
better served in a more cavernous venue like the Orpheum. In fact, I'm 
going to implore them to return to Boston to play the Orpheum. The 
hundred or so people wildin' out at the show last night will go. I'll 
go. I'll tell my five friends to go. It'll be awesome.