The Strokes and Wolfmother at the Bank of America Pavilion, September 13, 2006 By: WILL SPITZ9/18/2006 11:48:01 AM 
 
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I feel bad for Julian Casablancas, as strange as that may sound. Hastily tagged a rock ’n’ roll savior following the success of his band the Strokes’ debut, Is This It, he faced immense pressure to live up to a promise exaggerated by the media. When it came time for a follow-up, rather than taking a cue from his hero Kurt Cobain and making his own In Utero, Casablancas took the safe route and essentially re-wrote the first album. On their third effort, this year’s First Impressions of Earth (RCA), the Strokes sound like a band desperately trying to “evolve” or “mature,” overreaching to respond to the cries of “This is it all over again” that greeted Room on Fire. And despite the love that last night’s Bank of America Pavilion crowd showed him — people sang and danced and screamed at the start and end of all 20 songs the band squeezed into their 80-minute set — Casablancas was sheepish, repeatedly murmuring: “I hope you’re having fun . . . You’re going to get sick of us.” And yeah, the show was nearly indistinguishable from the one at Agganis Arena in April (save for an enjoyable take on Lou Reed’s “Walk on the Wild Side” during the encore) — heavy on the first album and First Impressions, faithful to the recorded versions of the songs, laid back but with the guitars nice and loud. But truth is, we were having fun.
On the other hand, I did not have fun watching openers Wolfmother, who played retro-style cock rock — complete with sub-Plant falsetto histrionics, by-the-numbers hard rock riffs and solos, and plenty of posing, like they didn’t know there’s been new music since 1975. The fact that shit like this still goes on — and that people absolutely eat it up — more than 20 years after This Is Spinal Tap is mind-boggling.
 
Setlist 
Ize of the World 
The Way It Is 
Red Light 
The Modern Age 
Juicebox 
Someday 
Heart in a Cage 
Killing Lies 
12:51 
You Only Live Once 
New YorkCityCops 
Is This It 
Hard to Explain 
Last Nite 
Ask Me Anything 
Vision of Division 
Reptilia
 
Encore 
Barely Legal 
Walk on the Wild Side 
Take It or Leave It
 
 
 ADVERTISEMENT 
 
 
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								- SEX (CIRCA 2006) Oral is the new second base, the “mostly” girls keep on kissing girls, and the Bro Job has arrived (but is still not ready for its close-up)
 
							
								 - WHAT NOW? Republican defeats are just the first step in turning the nation around. Plus, the constitutional imperative of gay marriage.
 
							
								 - THE NAKED SORORITY Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
 
							
								 - WHATEVER HAPPENED TO MEMOGATE? Waiting for the Globe’s mea culpa
 
							
								 - COP OR DRUG DEALER? Roberto Pulido’s story shows how easily the divide between law-keepers and law-breakers can break down — if nobody is paying attention
 
							
								 - HARMONIC INSURGENTS The graphic intensity of Converge
 
							
						  
					 
				 
				
				
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				- LIT ROCK AND ROLL:
														 The Decemberists, Orpheum Theatre, November 4, 2006
 - SMOOVE OPERATOR:
														 John Legend, Avalon, November 4, 2006
 - ONE FOR ALL:
														 Skerik’s Syncopated Taint Septet, Regattabar, October 25, 2006
 - SHAM’S TOWN:
														 The Killers, Orpheum Theatre, October 26, 2006
 - WHO IS THAT GIRL?:
														 Petra Haden, Museum of Fine Arts, October 25, 2006
 - FASCINATING RHYTHMS:
														 Tomasz Stanko, Regattabar,  October 19, 2006
 - HINTS OF HALLOWEEN:
														 Scissor Sisters, Orpheum Theatre, October 22
 - YOU HAD TO BE THERE:
														 Rain: The Beatles Experience,  Opera House, October 21, 2006
 - DIGGING IT:
														 Art Brut, Spinto Band, and Tokyo Police Club, Middle East, October 16, 2006
 - FROM TWO TO FIVE:
														 TV on the Radio, Paradise Rock Club, October 14, 2006
 
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