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Moving on up

Jaye Drew proves herself a smooth operator
By SAM PFEIFLE  |  August 12, 2009

jaye main

NOT SITTING STILL Jaye Drew. 

In the R&B and soul the very talented vocalist Jaye Drew purveys, you need something real, a grit and substance that allows you to rise above sentimental pap and make people actually give a fuck about you. She finds — and shows — just that on A Moving Train, her debut full-length.

Especially on “Trouble and Time,” a sultry and pained Fiona Apple take that bleeds Hammond organ and gospel-fueled backing vocals. Drew shows off all her voice’s tremendous body and crushes with a verse like, “Your eyes are not blue/I wasn’t born to feel like I do/You’re so pretty I could cry.”

And the falsetto she pulls off in “Stay,” naked with nothing but a guitar accompaniment, is tremendous, full of longing and fear: “Will you wait a minute?/Won’t you stay, stay a minute?” At that point, I’d pretty much hang around all day (and most of the next for good measure).

The disc as a whole, put together over the course of a couple years with producer Mark Zuppe, moves around a little bit, from Jamiroquai laser-beam keyboards to clap-your-hands funk to Norah Jones whispers, but Drew manages to hold things together and the disc gets stronger as it goes along. She succeeds with sexy and seductive (“Slave Driver”) and even pulls off the Latin-flavored “Crime of Passion” with assured aplomb.

As a finishing tune, “Passion” features some great piano work by jazzman Matt Fogg and quick fingers from guitarist Scott Morgan, and makes the disc feel short at just nine songs. The instrumental break that takes us out is pretty tremendous, finally breaking down into just the piano and conga, and it’s indicative of the album as a whole — not just a forum for Drew’s voice but an attempt at something greater, something meaningful and musical.

As yet another addition to Portland’s growing R&B/soul scene, Drew has a real charisma and spark, giving off that feeling that she isn’t playing and singing this kind of music because it’s fun and people can dance to it, but because she has to. It’s a realness that ought to resonate.

A Moving Train

Released by Jaye Drew | with the Soul Movement + Lady Zen | at the Empire, in Portland | August 15 | www.myspace.com/jayedrewmusic 

Related: Elijah Ocean, Tony Smokes and the Ladykillers, Portland Music News: May 29, 2009, Ain't life Grand, More more >
  Topics: CD Reviews , Entertainment, Music, Music Reviews,  More more >
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  •   SECOND SUMMER  |  August 26, 2009
    Summer's over, the kids are getting back to school and I'm loath to turn the seasonal page. The music's been terrific. New discs by Spencer and the School Spirit Mafia, Grand Hotel, dilly dilly, Samuel James, and Gypsy Tailwind have highlighted the depth and breadth of our local talent and the return of shows on the pier has reminded many of us just what a great summer town this can be.
  •   BOOK OF SAMUEL, VOL. 3  |  August 19, 2009
    It's so easy not to think about the music Samuel James makes much at all. Built from the very pillars of American music, it's easy to dismiss it as an homage, a throwback, a curiosity. And it is all those things, with James's ageless voice — he could be 20 or 80 — and variety of stringed instruments that scoff at modern technology.
  •   MOVING ON UP  |  August 12, 2009
    In the R&B and soul the very talented vocalist Jaye Drew purveys, you need something real, a grit and substance that allows you to rise above sentimental pap and make people actually give a fuck about you. She finds — and shows — just that on A Moving Train, her debut full-length.
  •   AIN'T LIFE GRAND  |  August 13, 2009
    Bands come and go. Especially local ones. The money's not great, personalities clash, young and single people tend to move around a lot. Kyle Gervais with Cosades had a band a lot of us in Portland will remember for a long time, but they broke up last year for the reasons that bands break up.
  •   FLYING SOLO (AND DUO)  |  August 05, 2009
    Think about everything you know about Elijah Ocean and Dave Gutter: Ocean's work fronting the heavy rock trio Loverless, say, or his lead-guitar turn in the radio-rock foursome All the Real Girls; Gutter's piercing vocals out front of Rustic Overtones, or his white-hot bounce in the lead of Paranoid Social Club.

 See all articles by: SAM PFEIFLE

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