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The Master:: Set in the post–World War II era, P.T. Anderson's oblique epic follows the misadventures of Freddie (Joaquin Phoenix), an alcoholic vet who ends up on a yacht with Lancaster Dodd (Philip Seymour Hoffman), the charismatic master of the title, founder of a religion that preaches psychic healing through Scientology-like procedures. Hallucinatory, explosively acted, acutely detailed — is it all a dream?

Bachelorette:: Three 30-ish high-school classmates played by Kirsten Dunst, Lizzy Caplan, and Isla Fisher celebrate the wedding of a fourth. Sounds familiar, but Leslye Headland's debut subverts expectations with its honesty. Boasting the best ensemble cast of the year, it's a party that doesn't end well, but for this bunch it's all for the best.

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ARTICLES BY PETER KEOUGH
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    This Kino Classics release is worth it if only for historical purposes, since it demonstrates that from the start zombie films embodied the Marxist paradigm of capitalism (Lugosi) versus labor (zombies).
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    Throughout his adaptation of Kami Garcia and Margaret Stohl's YA novel, Richard Lagravenese drops the names of books that would have provided a more rewarding way of spending a couple of hours than watching this movie.
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    Maybe it was the moment in The Last Stand when a guy exploded, or the scene when Arnold sawed someone in half with a Vickers machine gun, or maybe it was the 10th brain-splattering bullet to the head in Sylvester Stallone's Bullet to the Head .
  •   REVIEW: SIDE EFFECTS  |  February 08, 2013
    Ironically, the filmmaker who started his career with sex, lies, and videotape , a film boosting female sexuality and empowerment, now ends it with a so-so thriller that resorts to the same old misogyny.
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    God works in strange ways, especially when Bruno Dumont directs him. Or is that the devil?

 See all articles by: PETER KEOUGH