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Related:
What's left behind, Word to the mother, Classical inheritance, More 
- What's left behind
Tap Olé is less a new-fangled bicultural fusion than a return to tap dancing’s foundational swingtime.
- Word to the mother
As a prepubescent thug, I often complained about the audio rotation on my father's car stereo, which primarily consisted of a steady mix of Moody Blues and books on tape.
- Classical inheritance
A teacher told me years ago that someday "you young people will inherit classical music. Then you can do with it what you want." And so I've been waiting.
- The girls of summer
It’s summer, so no one’s surprised at the onslaught of sequels, adaptations, or even movies based on toys. But films with Oscar-caliber women’s roles?
- The future of an illusion
When I first realized that movies would, for better or worse, dominate my imagination forever, I really gave no thought to the forces at work creating these transfiguring images on a screen.
- Standing up
Some see — or at least hope to see — Portland's comedy scene as being on the brink of national prominence, as there are now 15 local stages devoting time to comedy and an overflow of new comics to fill them.
- Curt Kirkwood
As frontman of the Meat Puppets back in the mid 1980s, Curt Kirkwood blew minds marrying hardcore punk rock to sunbaked country music.
- The return of Swirlies
I'm on the phone with Damon Tutunjian, one founder of the Boston indie-rock band Swirlies, and he's helping me to understand the Sneaky Flute Empire.
- We're all the Hold Steady
When’s the last time you fell so hard for a band you drove 339 miles — alone — to see them?
- Not by George
A long time ago, on a bricks-and-mortar soundstage far, far away, the last great Star Wars movie was made.
- Review: Whip It
Add a dash of the sad beauty contests and kooky, dysfunctional family of Little Miss Sunshine to a helping of the bogus hipness and overexposed star of Juno and whip it good and you get an idea of why Drew Barrymore's directorial debut falls flat as a sappy soufflé.
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