All Authors >

LLOYD SCHWARTZ

Latest Articles

Double trouble

BLO's The Turn of the S crew, Levine's Carter and Simon Boccanegra, Teatro Lirico, the Berlin Philharmonic Wind Quintet, and more
Boston Lyric Opera's debut Opera Annex production was so good in so many ways, it's painful that one bad idea just about sank it.

By: LLOYD SCHWARTZ | February 09, 2010

Stopping time

The BSO, Peter Maxwell Davies, BCMS, BMOP, Mark Morris, and Christian Tetzlaff
BSO music director James Levine has returned to Symphony Hall for the first time since October, when back surgery put him out of commission.

By: LLOYD SCHWARTZ | February 02, 2010

Let's rock

The BSO, the Cantata Singers, Discovery Ensemble, and BCMS
WGBH radio has ended its 58-year tradition of live Friday-afternoon BSO broadcasts, and it doesn't seem that public outcry is going to change that.

By: LLOYD SCHWARTZ | January 25, 2010

John Harbison plus 10

Picking from a packed concert schedule
Classical music in Boston is so rich, having to pick 10 special events for this winter preview is more like one-tenth of the performances I'm actually looking forward to.

By: LLOYD SCHWARTZ | January 05, 2010

2009: The year in Classical

Beating the quease
This was a queasy year for classical music.

By: LLOYD SCHWARTZ | January 04, 2010

Wanting more

The Borromeo and Emerson String Quartets, Dohnányi with the BSO, and Yiddish operetta at Harvard
After its triumphant traversal of the complete Béla Bartók string quartets at the Isabella Stewart Gardner Museum, the Borromeo Quartet was back for a free 20th- and 21st-century program at Jordan Hall, leading off with an accomplished recent piece by the 24-year-old Egyptian composer Mohammed Fairuz, Lamentation and Satire.

By: LLOYD SCHWARTZ | December 16, 2009

Open spaces

The BSO's Brahms, Ben Zander's Wagner, Collage New Music, and the BEMF's Handel
In my review of the memorable Brahms performances Sir Simon Rattle led with the Berlin Philharmonic Orchestra for the Celebrity Series of Boston last month, I should have mentioned that one decision responsible for the beauty and spaciousness of the orchestral sound was the placement of the first and second violin sections on opposite sides of the stage.

By: LLOYD SCHWARTZ | December 02, 2009

Creationists

Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music

By: LLOYD SCHWARTZ | November 18, 2009

Almost

BLO's Carmen, the BSO's Beethoven, Emmanuel Music's Haydn and Schoenberg
The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling if not spine-tingling performance.

By: LLOYD SCHWARTZ | November 12, 2009

Blessings: mixed and otherwise

Boston Baroque’s Amadigi; Opera Boston’s Tancredi; the BSO’s Beethoven; the Borromeo’s Bartók; Brahms from BCMS and BSOCP
By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).

By: LLOYD SCHWARTZ | October 28, 2009

In the swim

Guerilla Opera, von Stade’s farewell, the BSO, Handel and Haydn, the BPO, and that Tosca
My head’s swimming.

By: LLOYD SCHWARTZ | October 14, 2009

The roar of the crowd

‘Opening Night at Symphony,’ Russell Sherman, the Discovery Ensemble, Boston Musica Viva, and the Bostonians
I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.

By: LLOYD SCHWARTZ | October 13, 2009

Leon Kirchner, 1919–2009

In Memoriam
Craggy, tender, passionate, witty, rough-edged, lyrical, uncompromising, Leon Kirchner's music, so like the man himself, made an indelible impression. Even in his recent appearance at a 90th-birthday tribute concert at the Isabella Stewart Gardner Museum, the old fire and wit, the frankness and the refusal to sentimentalize, were there.

By: LLOYD SCHWARTZ | September 23, 2009

Baroque and beyond

Betting on the best this fall
Ten-best lists usually come at the end of the season, but this year the Phoenix has asked its critics to provide a calendar of 10 events that, at least on paper, might wind up on an end-of-season Top 10. Boston, in case you didn't know it, is a great city for classical music, so it's not easy to keep the list short. But here goes.

By: LLOYD SCHWARTZ | September 14, 2009

Michael Mazur, 1935 - 2009

Painter, printmaker, teacher, art historian, curator, political/social/arts activist, Red Sox and Celtics fan
"He was so alive ," a friend wrote to me a few days after Michael Mazur died, on August 18.

By: LLOYD SCHWARTZ | August 27, 2009

Midsummer madness

Mark Morris, Yo-Yo Ma, and the Festival of Contemporary Music at Tanglewood, Mozart in Boston, Meyerbeer at Bard
After a relatively quiet summer, I saw Boston Midsummer Opera's Cosí fan tutte at BU's Tsai Center. Then I raced out to Tanglewood for a Mark Morris program accompanied by Yo-Yo Ma and Emanuel Ax, a BSO matinee with Ma, and all six concerts in the annual Festival of Contemporary Music.

By: LLOYD SCHWARTZ | September 29, 2009

Michael Steinberg, 1928-2009

In Memoriam
Michael Steinberg, who died of cancer last Sunday morning in Minneapolis, was one of the great voices raised in defense of high culture, and Boston was lucky that he was based here for so many years.

By: LLOYD SCHWARTZ | August 03, 2009

French kiss

What we don't get in Boston
Productions I attended at the Opéra and Opéra Comique would be rare in New York, let alone Boston — though some of the performers would be familiar.

By: LLOYD SCHWARTZ | July 10, 2009

Springer vs. Nero!

Monteverdi's Poppea opens the Boston Early Music Festival, plus the Cantata Singers, the Discovery Ensemble, and Barbara Cook at the Pops
Two opera productions overlapping at the Calderwood Pavilion exploit exploitation.

By: LLOYD SCHWARTZ | June 10, 2009

Here comes the bride

Opera Boston's Smetana, the BSO's Berlioz, and Dawn Upshaw
It's been a long time since Bostonians had the chance to see the most popular Czech opera, Bedrich Smetana's The Bartered Bride , but Opera Boston followed its electrifying run of Shostakovich's The Nose with this tuneful folk opera and gave it a sweet and very likable production.

By: LLOYD SCHWARTZ | May 12, 2009

A little history

Yehudi Wyner and John Harbison, Susanna Mälkki with the BSO, Natalia Gutman with the BPO, and BLO's Don Giovanni
Two of Boston's most admired and honored composers (both Pulitzer winners) have just celebrated landmark birthdays: Yehudi Wyner his 80th and John Harbison his 70th.

By: LLOYD SCHWARTZ | April 28, 2009

< prev 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | next >